Artists
Credits
Music by Alexander Glazunov, Anatoly Lyadov, Anton Rubinstein, Dmitri Shostakovich.
Music arrangement by Alexander Tseitlin
Choreography by Asaf Messerer
Musical director and Conductor: Dmitri Jurowski
Staged by: Mikhail Messerer
Set and Costume designer: Vyacheslav Okunev
Lighting designer: Alexander Kibitkin
"A most captivating narrative quest through the main lanes of classical dance" – this is how today’s critics describe Asaf Messerer’s "Class Concert". This one-act ballet was first staged in the mid-XX century at the Bolshoi Theatre and became a success not only in Moscow, but also abroad. Asaf Messerer showed to the audience the dancers’ daily work at the ballet studio. During this staged lesson, each artist from a young pupil to a Company Principal performs various traditional exercises – from simple ones to the most intricate. A cascade of masterful leaps and spins turns a ballet class into an unforgettable show. NOVAT ballet company captivate the audience with their artistry under the capable guidance of Mikhail Messerer, one of the world's most prominent experts in XX century ballet art.
Artists
Credits
Choreography: George Balanchine © The George Balanchine Trust
Music: Igor Stravinsky, the Capriccio for Piano and Orchestra
Musical score is provided by Boosey&Hawkes Music Publishers Limited
Répétiteur: Nilas Martins
Musical director and Conductor: Dmitri Jurowski
Production designer: Vyacheslav Okunev
Lighting designer: Denis Solntsev
Ballet tutors: Vladimir Grigoriev, Victoria Ryazhenova, Galina Sedova
World premiere: 13 April 1967 at New York State Theater, New York, NY.
Premiered on 12 June 2019
“Rubies” is the second part of “Jewels” created by the famous choreographer and creator of The school of American ballet George Balanchine. Inspired by the ingenious artistry of jeweler Claude Arpels, Balanchine conceived and choreographed his first evening-length abstract ballet, choosing music perfectly, revealing the essence of each jewel. He explained it this way: “Of course, I have always loved jewels; I’m an Oriental after all, from Georgian in the Caucasus. I like the color of gems, the beauty of stones,”. Balanchine created a masterpiece – a ballet, where dance glimmers and sparkles like a light beam playing on planes and facets of jewels. The second part of “Jewels”, “Rubies” with Stravinsky’s music became a personification of jazz with its buoyancy and blazing energy. “Rubies” shine and sparkle, carving in stone the output of the Stravinsky and Balanchine collaboration.
“Rubies” Ballet production, Balanchine Ballet, presented in agreement with the George Balanchine Trust and prepared in accordance with the standards of Balanchine Style and Balanchine Technique, established and provided by Trust
Artists
Credits
Choreography: George Balanchine © The George Balanchine Trust
Music: Pyotr Ilyich Tchaikovsky, Orchestral Suite No. 3 in G, Part IV, Op. 55
Répétiteur: Diana White
Musial director and Conductor: Dmitri Jurowski
Production designer: Vyacheslav Okunev
Lighting designer: Denis Solntsev
Ballet tutors: Vladimir Grigoriev, Victoria Ryazhenova, Galina Sedova
World premiere: 26 November 1947 at American Ballet Theatre, City Center of Music and Drama, New York, NY.
Premiered on 12 June 2019
George Balanchine, Michelangelo of Russian ballet, as called by the critics, created his own personal unique style acknowledged around the world. Balanchine was born and raised in imperial St.-Petersburg, then left the country at the age of 19, although he carried his loyalty for classic ballet traditions through his entire life, combining it with the most daring contemporary changes However, his ballet “Theme and Variations” became very likely the most academic ballets of all he had ever created. Pyotr Tchaikovsky’s Orchestral Suite No.3 music consists of twelve variations, and each one of them is an amazing dance study for the principal couple surrounded by an exquisite entourage of ballerinas with a fascinating pas-de-deux in the middle and the triumphant Grand polonaise for the finale. A ballet with “aristocratic origin” will adorn the one-act ballet night at NOVAT.
“Theme and Variations” Ballet production, Balanchine Ballet, presented in agreement with the George Balanchine Trust and prepared in accordance with the standards of Balanchine Style and Balanchine Technique, established and provided by Trust.